Skip Navigation
158 comments
  • I want worlds big enough that I can suspend disbelief. True scale is too much (True Crime: Streets of LA was awful to traverse, for example) but too small and it feels like being in one of those play parks for small children. It's a problem I've had with Fallout 3+, where the scale makes no sense. I don't necessarily need the additional space to be dense with content (if it's supposed to be a barren waste, why is it full of stuff?!).

    I want to buy into these worlds, but I struggle when things feel ridiculous. Oh are you struggling for supplies? Even though there's supplies 50m away from your settlement? Come on!

    The first Red Dead Redemption hit the spot for me, as did the native settlement in Shadow of the Tomb Raider. The scale isn't actually realistic, but it's large enough that I feel like it could be. GTA IV wasn't bad either, but GTA V was too compact in many places for my tastes.

    I suppose it's much like the theatre. If a scene is well written it feels fine, but if the play calls attention to the limitations of the medium too much then it starts to become a bit silly.

    • Good point. If you look at the Yakuza games, they're typically set in a little entertainment district. The map isn't huge but it's not supposed to be. It feels the correct size for a busy little part of town.

      Meanwhile, yeah, Fallout 3 gave me the impression that even before the war the DC metropolitan area was home to maybe a thousand people.

      • I recently rewatched Rango and the size of the main settlement in that is about the size of those in RDR. Reflecting on that, I suppose I want the map to reflect the kind of scale and focus seen in other media. A film or TV show doesn't show us every street (usually) but it gives a sense of the scale of the place. If a game map couldn't be used for an establishing shot without looking daft then it doesn't really work for me, I reckon.

        It's something I like about the overhead perspective used by games like Fallout and Wasteland - I perceive what's on screen as the area of the settlement that's relevant to me but with the understanding that there's more off screen. A character might mention going somewhere, much like in a play, and then reappear. Perhaps the player can go there, perhaps they can't even see it, but it makes the world feel larger.

        I suppose, much like in reality, we rarely visit every location of a place, but it needs to feel like it might enter our narrative in some way.

    • The advantage of putting those supplies 50m away though is that it makes a better video game. Playing The Outer Worlds right after Starfield made me a-okay with every way they shrunk the Bethesda experience.

      • How are we defining "better"? For me it makes the experience worse because I lose all immersion. I'm trying to be immersed and my brain can let a lot slip (realism is not required!) but for me the limit is when it strains even basic credulity. Yes, 50m makes the quest less hassle, but if I don't care about the quest due to the scope of the world then there's a more fundamental issue.

        In games where immersion isn't a factor (e.g. The Binding of Isaac) that stuff doesn't matter. In an explorable open world I content that it's rather crucial.

    • Games like Skyrim always bugged me a bit as I couldn't walk for more than half a minute before I tripped over a quest or encounter of some sort. I feel like the devs were scared players would get bored if they didn't see something exciting every few seconds. Sure I want to do stuff, but I also want to breath and look at the scenery and think about what I'm doing.

      The real world is way more open; you travel for a good while between cities, and I really like when games do that as well. I'll have to try Red Dead, but I thought Kingdom Come Deliverance struck a good balance. Even at top speed on a good horse, it takes minutes to ride between the major settlements, with only rare encounters coming up now and again.

      • I'm glad to hear it's not just me (I mean, statistically that seems unlikely, but still!). It's a little like modern cinema compared to '70s film making - let the story breathe, folks. Given that the tooling to make the world larger (but with the same amount of content) isn't all that complex, I wish it was done more. The amount of content is fine - often excessive. But give me a chance to feel like I'm actually travelling.

        I felt the scaling of Assassin's Creed Origins and Odyssey worked quite well in that respect. There was actual travel!

  • The biggness doesn't matter as much as how much there is to do in a meaningful and rewarding way.

  • I look at the RPGs I enjoyed and the ones I didn't and I think what I want more than anything in RPGs is for them to be fleshed out and well fitting.

    If the world is too big for the story it feels empty and the side quests don't feel connected. If it's too small, it feel cluttered. It's a fine balance.

    A lot of quests in games have a specified start and an end, and are unimaginative. It's 2025. I'm not bringing somebody 20 orc horns for a slightly better sword. Well, I will, but I don't want to. It just feels lazy.

    I'd rather stumble across a thread woven into the world and follow it both ways to it's logical conclusion, choosing any branches along the way.

    Honestly, I think "big" works against developers if they're trying to make something that just fits. When you look at something like BG3, the world isn't that huge. But once you start filling out all the blanks, it takes you a long time to get through.

  • I do care about finishing games but not completing them. I will play the main story and some of the side quests. I am happy with games being 20-100 hours long.

  • I wouldn't mind a much bigger world. If it's actually populated. There needs to be shit to do. Reward me for going off the path.

    • 8x the size of the world either means 1/8 the original handcrafted stuff per area or 8x the development time and cost, there's no way you can get around this

158 comments