Audiences have always been interested in good storytelling. The reason the MCU took off was because it told good stories. The problem is that the stories have become too formulaic or half-baked.
People showed up for Deadpool and Wolverine, so the issue isn't about comic book movies.
EDIT: My comment about D&W isn't meant to hold it up as an example of good storytelling. As I said, the stories have become formulaic. My mentioning of it is meant to point out that many comic book movies succeed despite mediocre storytelling. You can't say "audiences are tired of comic book movies" when many are still clearly successful.
Endgame was expurgation, but we're still so overloaded, I think the only thing even remotely interesting to me has been loki. And that's just because tom h is the most charming thing to exist.
I’d say hype and seeing Hugh Jackman again was what carried D&W, not really the storytelling. When you peel away the character hype and humor, the story was actually pretty bland.
Are you suggesting that Deadpool vs Wolverine is an example of good storytelling?
Edit: I found it to be entertaining enough, I expected only fan service, and I'm glad I kept it at that. But story wise? I cannot think of a marvel movie that was worse in that regard. It didn't need to, of course... I just did a double take at this being used as an example for a good story. The borderline omnipotent and omniscient antagonist wants to destroy the universe because someone relatively unimportant didn't keep their word? groan.
In context of this conversation Deadpool vs Wolverine would be storytelling of storytelling. Great examples are all the breaking of the forth wall and exploration of tangential stories or actors that had short lives or never made it off a writers page. It was less a single cohesive story and more a moving about storytelling.
I just have to chime in to say that Godzilla Minus One is a masterpiece in terms of story telling and VFX. You don't have to be a fan of Godzilla or anything in particular, this movie is 10/10 in all categories. Blew my fucking mind!
Fair point but GM1 is definitely outside of the "big spectacle movie" industry, with a very moderate budget and a big emphasis on story telling. It's really an amazing movie for sure
One of the prime rules of storytelling is that the hero has to have a flaw.
Superman is super. He can't lose. That's why the writers introduced Kryptonite. Captain America is a super-soldier, but is still mortal. Thor is a god, but can lose his hammer and his powers.
The problem with Superhero movies is that they all got so much power they became invincible, and boring.
I'd argue that they still meet the criteria, even the seemingly invincible characters, by making their flaw caring about someone close to them. Villains these days often present a danger not because they're capable of killing the hero, but because the hero has a close personal attachment to someone that isn't invincible.
I feel like quality is severely underestimated here. Everybody now has 1-tap access to aggregate reviews from seasoned reviewers and regular audiences. When a movie sucks, everyone finds out and your marketing budget suddenly means nothing.
Good movies aren't guaranteed to make a profit, but in 2024, bad ones are pretty much guaranteed not to. This is completely independent of a single element like VFX.
He is right, but overlooking a major detail when it comes to flops.
Spectacle movies have consistently flopped when the story sucks. The early Marvel movies were fairly solid and built up the brand, Nolan's Batman trilogy was pretty solid, and even Snyder's DC fare was doing ok even if it would have been far more popular by not rushing overstuffed BvS and Justice League.
But Green Lantern flopped in 2011, and like the newer movies that are flopping the massive budget was the main issue. Spectacle on its own was never enough to draw in enough butts in seats to make a $200 million dollar budget movie profitable. Even more so now that there are multiple movies with $200 million dollar budgets competing for the same viewing audience.
So yeah, the story side has been dragging down the more recent comic book movies overall but the real killer is the massive budgets. Deadpool didn't actually need to trade the spectacle for story, but they did need to aim for a reasonable amount of spectacle.