Stubsack: weekly thread for sneers not worth an entire post, week ending 23rd December 2024
Stubsack: weekly thread for sneers not worth an entire post, week ending 23rd December 2024
Need to let loose a primal scream without collecting footnotes first? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid: Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret. Any awf...
Need to let loose a primal scream without collecting footnotes first? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid: Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret.
Any awful.systems sub may be subsneered in this subthread, techtakes or no.
If your sneer seems higher quality than you thought, feel free to cut’n’paste it into its own post — there’s no quota for posting and the bar really isn’t that high.
The post Xitter web has spawned soo many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)
Like, there was one dude a while back who insisted that women couldn’t be surgeons because they didn’t believe in the moon or in stars? I think each and every one of these guys is uniquely fucked up and if I can’t escape them, I would love to sneer at them.
(Semi-obligatory thanks to @dgerard for starting this.)
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Interesting article about netflix. I hadn’t really thought about the scale of their shitty forgettable movie generation, but there are apparently hundreds and hundreds of these things with big names attached and no-one watches them and no-one has heard of them and apparently Netflix doesn’t care about this because they can pitch magic numbers to their shareholders and everyone is happy.
“What are these movies?” the Hollywood producer asked me. “Are they successful movies? Are they not? They have famous people in them. They get put out by major studios. And yet because we don’t have any reliable numbers from the streamers, we actually don’t know how many people have watched them. So what are they? If no one knows about them, if no one saw them, are they just something that people who are in them can talk about in meetings to get other jobs? Are we all just trying to keep the ball rolling so we’re just getting paid and having jobs, but no one’s really watching any of this stuff? When does the bubble burst? No one has any fucking clue.”
What a colossal waste of money, brains, time and talent. I can see who the market for stuff like sora is, now.
I feel like before Redbox went under, it was also a dumping ground for this sort of thing. For instance, that mid-budget Western "Rust" where Alec Baldwin killed the camerawoman on set felt like it was destined for this sort of distribution strategy. Who's clamoring to go out to the theater to see a Western with Alec Baldwin these days? But it might stand out among all the other slop when you're looking to turn your brain off on a Saturday night.
See also the rise of the "geezer-teasers," where a random 80s/90s action star signs up to appear in the first and last 10 minutes of a generic action movie filmed someplace inexpensive, most likely eastern Europe or southeast Asia. There were a lot of those. Perhaps my favorite, that I still want to watch someday, was Danny Trejo and Danny Glover in "Bad-Ass 2: Bad-Asses."