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2 yr. ago

  • So I guess that's actually several questions, and they each have different answers.

    Why does combat feature heavily in D&D? It doesn't. Or at least, not necessarily. How much or little it features is dependent on your DM.

    Ok, so why has it historically been featured heavily? Because of D&D's lineage. The game evolved mechanically from wargames, where combat was the whole thing, and thematically from works like Conan the Barbarian and Tolkein, where fighting monsters featured prominently.

    Why so many types of monsters, then, if works like The Hobbit only had a half dozen or so? Because The Hobbit is a single story, whereas D&D is a framework for creating lots of stories. Maybe one short campaign or a campaign arc has as many monsters as a Tolkein story, but then you go on to the next arc, the next campaign, and you need something new. You can obviously recycle lots; orc bandits are different from orc soldiers are different from orc cultists. But with (tens of?) thousands of games going on continuously, year after year, there's always a demand for new content to slot in, and monster design is often a handy thing for DMs to outsource. Hence, there are a lot of kinds of monster because there is demand for them.

  • When Lwaxana scanned the bar in DS9 s01e17 The Forsaken to figure out who stole her broach, she has to look at each person in the room to read them. Perhaps the range for Betazeds is very high or unlimited, but using it requires them to be aware of the person's presence, or to specifically focus on them? Or perhaps there's general vibes, but truly reading someone requires active focus?

  • That's kind of important to the story though.
    ::: spoiler spoiler V starts off thinking she's dying and her mind is changing and she doesn't know how long she's got, and by the end she's learned that everyone is dying and everyone is changing all the time and no one knows how long they've got. The only real choice is whether you use the time you've got to live, or don't. :::

  • They don't have what we would recognize as an economy, but they do have resources and are on rare occasions willing to trade them with outsiders. (See: Voyager) I can imagine some particularly risk-inclined ferengi trying to strike a deal. Gives me a "goodlife" from Saberhagen's Beserkers kind of vibe.

  • Sometimes that can be fun, but only if everyone at the table is onboard for a wild tangent. If the other players are bored as shit while the special snowflake starts a unicorn breeding operation, it's time to use that No. And you, the DM, are included in that too; if your players want to drag you off to write every book in the library and that's not fun for you, you have the right to say "hey maybe you should play the game I made for you instead."

  • Addendum to the "Are you sure you want to do that" bullet: if a player ever does something that seems nonsensical to you, ask them what they expect to achieve by doing that. Understanding their motivation is often what resolves the miscommunication and/or allows you to steer them towards a better way to do what they're trying to do.

  • I read once that the earliest edition(s?) didn't have Rogue as a separate class, that everyone would be searching for traps and such. And when Rogue was added with the explicit ability to detect traps, it caused a crises because suddenly that implied that no one else had that ability.

  • rpg @ttrpg.network

    A small logistics tweak that's worked well for me

    Tip Of My Tongue @lemmy.world

    In castle/fortress design, what do you call the wall placed immediately inside the gates that prevents the enemy from having a straight shot into your fortress?

    rpg @ttrpg.network

    It's not Critical Role, it's Podcasting Itself

    rpg @ttrpg.network

    I need 1 more thing an evil necromancer dictator would have in his garden