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To be honest, I found it a bit pedestrian and the continuity geek in me is a bit annoyed with some bits.
Sigh. Okay, here we go.
The opening Star Trek Universe sequence features the old scow used in this movie as well as a mirrored version of the Star Trek logo, referencing Philippa Georgiou’s Mirror Universe origins and the plot’s connections to the MU.
Aeschlyus was a playwright of Ancient Greece often considered the father of tragedy. The full quote is actually, “The anvil of justice is planted firm, and fate who makes the sword does the forging in advance.”
The opening scene takes place in the Terran Empire, the Mirror Universe counterpart of the Federation, although exactly where (or when) is not specified.
San was first mentioned in the DIS novel Die Standing as a friend of the younger Giorgiou, and then subsequently seen in flashbacks in DIS’s third season. We know little about him except that Giorgiou saw herself standing over his body and she believed she was de
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In an attached clip from the video "game" Star Trek: Klingon (in-universe an educational holodeck program), a holographic Gowron violently shakes the player and yells player, "When I say jump out of an airlock, you will JUMP OUT OF AN AIRLOCK!"
My question is, outside of edge cases where it's actually necessary to win a battle, would this level of order-following actually align with proper Klingon theology?
I feel like this would be an honorless death (kind of like if your commander told you to stab yourself with a d'k tahg), and thus if you were actually given an order like this, the proper Klingon thing to do would be to challenge your commanding officer to honorable combat. I could see a more Martokian view that honor demands you follow your commander, though, but I feel like even he would have limits.
I can think of three explanations for what Gowron said: 1) It's simply a hyperbole. 2) Gowron isn't exactly a beacon of
Let's say we have a certain Trill symbiont with a host. What would happen if the symbiont was duplicated under the condition that:
The host and symbiont were transporter cloned. (2 Jadzia Daxs)
A person from an alternate timeline with the same symbiont ends up permanently marooned in the prime timeline. (Larry Dax from a timeline where Curzon didn't reinstate Jadzia coexisting with prime Jadzia)
A past host comes back from the dead with a version of the symbiont a la Spock or Shaxs, or even something similar to Doctor Who's concept of an extraction chamber (Jadzia got bored in Sto'Vo'Kor and decided to climb the Black Mountain, meaning her and Ezri exist simultaneously)
I imagine in all of them, the commission would at least let the duplicate live for the rest of the lifespan of the original host, much like the Federation at large treats transporter clones.
However, what happens when it comes time for the symbiont to be transferred? I can't imagine the commission's ideology wou
I have an odd question that will probably never be answered now unless they decide to bring this species to other Trek shows: why are members of Merp’s species called “Big Merp”, “Sleepy Merp”, or just “Merp”?
Obviously out of universe, they’re likely just a parody of the Smurfs.
My personal favorite theory that would be that Merpkind (or whatever they are called) doesn’t actually have a native concept of individual names. However, they’ve got to put something on the Federation paperwork, so they typically just do whatever and stick with it.
Alternatively, fitting more with the Smurf thing, Merp communities identify each other via adjectives or roles much like the Smurfs.
What’s your ten cents?
EDIT: Thinking on it, it could be a combination. No one has a set name - some might call their spouse “Mate Merp”, while that spouse might be referred to by a boss as “Strong Employee Merp.” When doing Federation paperwork, Merps typically choose which descriptor they’re more fond of. For i
From the creators of AI War: Fleet Command comes an all-new grand strategy title with tur
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The Last Federation is an obscure game made by Arcen, the makers of AI War. I haven't played this game yet, though I intend to try it at some point but I think the premise just absolutely SCREAMS Star Trek to me and I think if the people who own the Star Trek IP were smart they would go to Arcen and offer them a reasonable development budget to make a more polished spiritual successor to The Last Federation in the Star Trek universe and have basically a guaranteed cult hit created by a studio with a known record of creating games that are interested in mechanical nuance in an oddly similar way to the way Star Trek is interested in narrative nuance to storytelling and perspectives. (I mean have you played Tidalis?, "Infinite Diversity in Infinite Variations" is the whole shtick of that game's approach to the match-three genre!!!)
Not that Star Trek doesn't fumble the ball or tell war stories, I am talking about the trek that isn't too cheesey... (note: slices of cheese are necessary
The title plays off Star Trek: The Next Generation, which succeeded TOS in 1987 - the last time that label was used being in PIC Season 3’s opener, “The Next Generation”, with its finale, “The Last Generation”, evoking that as well. Of course, by episode’s end, we see the aptness of the title as a torch is passed for a new frontier.
Relga’s lapdog is likely just a toy breed of targ. I originally thought it might be a variant of the Alfa 177 canine first seen in TOS: “The Enemy Within” as it appears to have the same unicorn horn but it's the wrong color and the Alfa 177 dog has antennae and no tusks.
As mentioned last episode, a soliton wave in Star Trek is a faster-than-light wave that was thought to have practical applications in warp propulsion or faster than light communications (TNG: “New Ground”), but was also potentially destructive.
As the wave hits the ships, a Klingon is transformed into a DIS-style Klingon, specifically the alien design and white costume of L’Rell in
The title refers to the transdimensional fissures that Cerritos has been dealing with in this season.
Raktajino is “Klingon Coffee”, although in truth its history is a bit more complicated. In short, raktajino is a Federation version of ra’taj (Klingon coffee with liquor) with added nutlike flavoring (making it raktaj) and cream, creating a portmanteau of “raktaj” and “cappuccino”: raktajino. A fuller explanation can be found here. As a side note, the Klingons got coffee from raiding human ships, and both developed a taste for it and started growing it themselves on Qo’noS.
Mariner and Boimler are drinking from Highwave Hotjo 14 oz. travel mugs, which were used as props on DS9. Boimler’s full beard has finally grown in, mutton chops and all.
Boimler was transporter cloned by accident in LD: “Kayshon, His Eyes Open”, with the clone taking the name William Boimler, tak
The title, an inversion of the series’ name, indicates the focus in this episode on the bridge crew. It is the flip side of and a play on TNG: “Lower Decks”, an episode focused on the lower deckers when the series is mainly about the bridge crew.
Whatever Stardate it is, it’s Halloween on Cerritos. Although Picard seemed to be unfamiliar with the holiday in TNG: “The Big Goodbye”, McCoy makes reference to it in TOS: “Catspaw”. Mariner used to dress as Toby the Targ for Halloween (LD: “Crisis Point”) and Boimler dressed once as Christopher Pike (SNW: “Those Old Scientists”). As a bit of trivia, the registry number for the USS Discovery, NCC-1031, was allegedly chosen by Bryan Fuller because he loved Halloween.
V’Ger is the antagonist in TMP, and Mariner quotes the Ilia probe from the movie’s climax. This season, V’Ger joined the ever crowded starship battle in the opening credits.
Boimler’s mustache has finally joined up with his goatee, although his muttonchops have yet to. Hi
The title refers to the time dilation effect on Dilmer III, and is a pun on either fully dilated pupils in drug use or fully dilated cervixes in labor, or both.
The stardate is 59499.6. The dimensional fissures leading to parallel dimensions have been a recurring thing this season, starting with LD: “Dos Cerritos”.
The purple Enterprise is a Galaxy-class, meaning Enterprise-D. In the Prime Universe, by 2381 the 1701-D had already crashed on Veridian III and the Sovereign-class Enterprise-E had been in service for about a decade. Tashar Yar was the original security chief of Enterprise-D, but was killed in TNG: “Skin of Evil”. No, I’m not getting into TNG: “Yesterday’s Enterprise” and Sela now, so don’t ask. Mariner talks about the carpets on Enterprise-D, a running joke that was even echoed in PIC’s 3rd season when the reconstructed ship was reactivated (PIC: “Võx”).
T’Lyn says her home was an outcopping of jagged rocks in the Viltan Flats. That location originally comes
I have a weird question. Some numbers of pips can have the black pip. However, the 4 captain pips have never been depicted with this.
In some ways, this makes sense; a "lower" captain wouldn't make sense, and we've seen that the highest first officers hold commander pips. It's most likely that have 4 pips with one black is totally invalid.
However, I wonder if there's ever a circumstance where the black pip would be there. For instance, let's say someone gets field promoted to acting captain, but Starfleet either takes their time making it official or it's going to take a while (a few weeks) for the ship to get back to starbase to pick up a new captain (meaning the acting captain will be a bit long-term)? Could it be used then?
I imagine most of this is speculation, but I'm wondering if there's any example in canon of a long-term acting captain that could disprove the use of this pip configuration.
The title alludes to the Robert Burns’ 1785 poem To A Mouse (“The best laid schemes of o’mice and men / Gang aft agley”), which was used as the title to John Steinbeck’s 1937 Novella Of Mice and Men. It also plays on the association of angels, messengers of God, with the “typo that is not a typo” angles, referring to the geometric shapes of the Orbs and Cubes. Additionally, “Of Gods and Men” is an entry in the fan film series Star Trek Continues and VOY: “Heroes and Demons” dealt with photonic life forms.
The stardate is 59482.3. The Veraflex Nebula is new, as are its inhabitants the Orbs and the Cubes.
The Orbs and Cubes are photonic species, of which as noted VOY encountered one in Heroes and Demons” and another in VOY: “Bride of Chaotica”. VOY also suffered from an infestation of photonic fleas in VOY: “The Voyager Conspiracy”. Artificial photonic lifeforms might include sentient holograms like the Doctor (VOY), Moriarty (TNG: “Elementary, Dear Data” and “Ship in a Bo
When the LD SB80 episode mentioned Matt and Kimolu were infected on an away mission, it reignited some thoughts/questions about how the lives of Cetacean officers in an era of Trek where whales are beginning to become more common as crew members.
Here's the discussion that I think can be had within current canon:
I can't help but notice what seems to be a difference in the quality of life between Gillian on Voyager-A and Matt and Kimolu on the Cerritos.
Sure, Matt and Kimolu don't have as flashy or futuristic-looking of an aquarium, but in addition to having each other, the pool-like design of their accommodations allows them easy interaction (a.k.a parties) with the crew. I feel like there's much more opportunity for them to have a fulfilling social life on the Cerritos.
In comparison, Gillian feels very enclosed and isolated from the rest of Voyager; there's always glass between here and the crew (as humpbacks sometimes need to surface, I image there's probably an area with some a
The title is the same as the famous two-part TNG episode that brought Leonard Nimoy as Spock back to our screens and possibly an allusion to bringing several parts of Star Trek together. It is being released on the 30th Anniversary of Star Trek: Generations.
The opening epigraph, “How we deal with death is at least as important as how we deal with life,” is from ST II, when Kirk is flippantly answering Saavik’s queries about the unfairness of the Kobayashi Maru no-win scenario.
The figure floating in space is Gary Mitchell, the former navigator of the USS Enterprise and Kirk’s former student and best friend, who gained god-like powers after the ship went through the barrier at the edge of the Galaxy in TOS: “Where No Man Has Gone Before”, developed megalomania and was eventually killed. Commander Jack Ransom, XO of the USS Cerritos went through something similar but survived in LD: “Strange Energies”. Gary Lockwood, Mitchell’s original actor, is credited, as he came back